Rock Operas, Episode III – A different one

And here’s episode III of my rock operas series! This time I bring you something quite different, and I’ll enter Miguel’s territory (musical films) for a while.

Without further delay, here is Jesus Christ Superstar!

You probably all have heard about Lord Andrew Lloyd Webber, the creator of The Phantom of the Opera, Evita, Cats, Sunset Boulevard among other musicals (if you haven’t already, you should definitely check these ones out, especially you Miguel) and of Jesus Christ Superstar. This was his first really big production (maybe if we don’t count Joseph and the Amazing Technicolor Dreamcoat), with a very good cast. It started off by a studio album in 1970, a rock opera, and then went to Broadway and a film was made in 1973.

As its name says, this recounts, in a somewhat free way the last week of Jesus Christ life. But don’t feel set aback by the theme, as both the album and the movie are very, very good.

The musical starts off with two songs, Overture, which looks like a “making of” of the movie itself and Heaven on Their Minds, sung by Judas Iscariot.

TJesus Christ Superstarhe musical is based very loosely on the Gospels’ account of the last week of Jesus’ life, beginning with the preparation for the arrival of Jesus and his disciples in Jerusalem, and ending with the crucifixion. It highlights political and interpersonal struggles between Judas Iscariot and Jesus, struggles that are not in the Bible. The resurrection is not included. It therefore largely follows the form of a traditional passion play.

The work’s depiction offers a free interpretation of the psychology of Jesus and the other characters. A large part of the plot focuses on the character of Judas, who is depicted as a tragic figure who is dissatisfied with the direction in which Jesus steers his disciples. 20th-century attitudes and sensibilities as well as contemporary slang pervade the lyrics, and ironic allusions to modern life are scattered throughout the depiction of political events. Stage and film productions accordingly feature many intentional anachronisms.

On the album, Ian Gillan, of Deep Purple fame, plays the role of Jesus, but on the subsequent Broadway productions and on the movie, the role is given to this man on the poster, Ted Neeley. Judas is played on the film by the great Carl Anderson as next video’s performance shows.

Hope you liked yet another long post, and be sure to place the songs and the movie on their time, as the songs are a bit dated.

I’ll probably let episode IV in standby, but when it returns you may expect a bit of a shift in direction (we’re going to rock & roll with Pete Townsend, Roger Daltrey, Keith Moon and John Entwhistle, see if you can guess who they are – no googling, come on!)

See you!

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3 comments on “Rock Operas, Episode III – A different one

  1. nuninho89 says:

    Nice post with nice songs! I once saw a little bit of this movie, but not all of it.
    In the next post will you be talking about who?

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