Dream Theater – Honor Thy Father

Long time no see….

Life’s been really busy these days but I felt like sharing these post with you today.

I wake up at 5 a.m. everyday to go to work so, whenever I’m tired, coffee’s been a good pal 😀

The other day I was into some Mozart stuff when a friend from work sent me this song to listen to. No more coffee was needed. The smashing drums, the hard riffs…. pure energy! Got to love it


Have a nice week everyone 😉

Manowar – Carry On

The first round of university finals is over! Now I have one week to get ready for the second coming and nothing better than this freakin’ awesome song playing out loud on loop to reload batteries.

Manowar – Carry On (Live @ Portugal)

I’m actually smashing an imaginary drum set while posting this song… 😀

Curiosities and special effects!

Houdy!

I love music. Melodic, Inharmonial, Cacophonic, Euphonic, Brutal, Soft, Simple, Complex, anything (well, almost). And, as a professional music consumer I’m also interested in everything related – the bands history and relations with other bands, how certain songs are composed/produced/whatever and other curiosities. Thus, it made all sense to write this post about some curiosities and special effects.

Ok, let’s start with special effects. I once saw a documentary from the series Classic Albums about the Judas Priest best seller British Steel. In the time it was released (1980), digital sampling was not widely available and so any extra sounds to be added would have to be analog recorded and processed. This paved the way to ingenuity: for example, the song Metal Gods, about machines taking over the Earth, needed the sound of machines marching. Listen to this snippet of the song and tell me how do you think they achieved it?

If you said a cutlery tray, you’re correct! They also broke milk bottles and used police sirens in the song Breaking the law. Inventive, ha?

Another guy who loved inventing was Frank Zappa (remember him?). He created a composition technique called Xenochrony, which comes from the greek words strange and time and consists on extracting a musical part from one song and putting it inside another song. All the guitar solos in his rock opera (another one, yes) Joe’s Garage are xenochronous, but a great example of xenochrony is the song Rubber Shirt. In Zappa’s words:

And so the musical result is the result of two musicians, who were never in the same room at the same time, playing at two different rates in two different moods for two different purposes, when blended together, yielding a third result which is musical and synchronizes in a strange way. That’s Xenochrony.

Zappa also used polyrhythms in his career (as did Queen, King Crimson, The Beatles and Jimi Hendrix). Polyrhythms are the fusion of two tempos together, like in this example.

And finally, here’s the curiosities!

Zappa must be mentioned again, as he was so eccentric. He was probably the only artist to release an instrumental album (Jazz from Hell) with an “explicit lyrics” sticker. Yes, in an album without any lyrics whatsoever! That’s how harmful his music can be to your hears haha!

Last but not the least, we arrive to the very good icelandic band, Sigur Rós. They are amazing, their music is so different from everything else, so soothing yet daunting. Just listen to their masterpiece Viðrar vel til loftárása:

But that is not why I brought them here. Their 3rd album in 2002 was sung entirely in a constructed language with no semantics called Vonlenska, or Hopelandic. How awesome is that?

But, however awesome that is, they were not the first to do it. In the early 70’s, the french drummer and composer Christian Vander assembled together a band called Magma in which all songs are sung in Kobaïan, the language of the fictional planet Kobaïa. Their music is completely different from anything you’ve ever heard, to the extent that it generated a whole new genre, Zeuhl, which is Kobaïan for celestial. It is a mixture of jazz, big band, large choruses, rock, heavy bass-driven music. As one of the many Magma alumni said:

Zeuhl sounds like, well, about what you’d expect an alien rock opera to sound like: massed, chanted choral motifs, martial, repetitive percussion, sudden bursts of explosive improv and just as unexpected lapses into eerie, minimalist trance-rock.

Hope you liked this as much as I enjoyed putting it all together! 😀

A tribute to Ronnie James Dio

Ronnie James DIo at the IronFest 2005

Today’s post is my tribute to the late Ronnie James Dio, who died two years ago today of stomach cancer.

“Who was RJD?”, you may ask. Well, for me he was one of the greatest rock singers to have walked the Earth, and perhaps the best metal frontman ever.

His voice was amazing, and he could just do anything with it, from soft, heartfelt ballads to high-pitched screams, the man had it all! Besides that, his career was long and prosperous, until his death at 67.

He started in the 50’s with a few rockabilly bands, like The Vegas Kings, Ronnie & The Rumblers, Ronnie (Dio) & The Red Caps and Ronnie Dio & The Prophets (’62-’67). A snapshot of what he did in those ancient times is the cover of a The Shirelles song, Will You Love Me Tomorrow.  After that, he formed the Elves and its various versions, until the final lineup of Elf. A staple song of that era is Nevermore.

Elf opened for Deep Purple in the early 70’s, and Ronnie became friends with the guys there. After Ritchie Blackmore left Deep Purple, he approached Dio and together with some guys from Elf, formed Ritchie Blackmore’s Rainbow, which after one album, was renamed to Rainbow, now with the great, late, Cozy Powell taking over the drums. Rainbow were a hugely successful hard rock band, turning more commercial after Ronnie’s departure in 1979. Four great songs from that era are the amazing Temple of the King, the rocker Gates of Babylon, the bluesier Catch the Rainbow and the ballad Rainbow Eyes (probably one of the most beautiful songs I’ve ever heard).

After Rainbow, Ronnie joined forces with Black Sabbath, who were falling apart after firing Ozzy because of his constant drunkenness and drug state. He completely revolutionized their sound, which was somewhat undefined in their last 2 albums (far from the brilliant songs of the early 70’s). He was also responsible for the introduction of the horns \m/ symbol in metal! Albeit short, his tenure with the Sabbs was very successful, with Heaven and Hell becoming their third highest selling album. Three very good songs from that album and Mob Rules (the second album) are the mammoth title track Heaven and Hell, the faster Die Young and the softer Over and Over.

When he left Sabbath he decided to create his own band, DIO. Their first album was another hit, and Ronnie definitely and permanently stuck with the metal outfit. His tenure with Dio was the longest in his career, from 1983 until his death, with some intermissions: between 1991-1993 to reform the 1980 Sabbath lineup and release their heaviest album since the 70’s – Dehumanizer.
Two great songs from that period are Holy Diver (1983 with 40 years old) and Push (2002 with 59 years old). The last songs’ videoclip features the comic duo Tenacious D (with Kyle Glass and Jack Black), who may well be the subject of a future post…

Since 2006, Dio rejoined forces with his friends from Sabbath Tony Iommi, Geezer Butler and his drummer of all times Vinnie Appice, and formed a side project to Black Sabbath, Heaven & Hell. They toured the world and released a new album (amazing stuff) in 2009, from which they released the single Bible Black. They were going to play here in Portugal, and your friend here was ecstatic. In a turn of events, he was diagnosed with cancer and died a few months later. Incidentally, one of the last songs he recorded, with his cousin David “Rock” Feinstein, was called Metal Will Never Die. True, but a lot poorer without his voice. Just listen and see what he was still capable of doing at 67!

As one of my favourite artists, I had been thinking of introducing him here, and I couldn’t lose the opportunity of paying him a tribute this way. So, here’s the playlist with all the 13 songs I posted here.

Sorry for yet another very long post, I promise I’ll post shorter next time 🙂